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SELECTED WORKTYPEYR
12
MAMMA MIA
Theatre
2026
11
CLUE
Theatre
2025
10
7 DEGREES OF SEPARATION
Theatre
20269
MOLANG HOTEL
Theatre
20458
LITTLE WOMEN
Theatre
2025
7
Orchestra
Theatre
20256
Drone Works
Fun Stuff
20255
Props
Fun Stuff
NONE4
D&D
Fun Stuff
NONE3
The Journey of Antioch
Fun Stuff
20252
Recyclying Art Work
Art Show
2024
1
Craft Biennial
Art Show
2025
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© 2025 ALL RIGHTS RESERVED LAST UPDATED 23-12-1947
7 ORCHESTRA
TYPE:
Theatre
2025
ORCHESTRA PROGRAM
2024-2026
I want to give some context on the event itself before describing my role in it. The concerts I worked on are part of my school's orchestra program, held at the Wilkie Bergmann Theater Performing Arts Center. This isn't a one-off production — it's a recurring fixture of the school's performing arts calendar, staged three times every year. Each concert brings together a different lineup of student musicians and ensembles, so while the format and venue stay consistent from year to year, the cast and specific ensemble combinations change every season.
Because a new group of performers is involved each time, the technical and production side of the event — coordinating rehearsal schedules, managing transitions between ensembles, handling sound, and keeping communication clear between musicians and crew — essentially has to be rebuilt for every concert, even though the overall structure of the series remains the same.
PATRICK KIM
Stage manager/
Sound board operator/
Line editor/
Stage hand
I was involved in seven different concerts over three years, serving as stage manager, sound board operator, line editor, and stagehand. These events demanded precise coordination—balancing rehearsal schedules, managing transitions between ensembles, and ensuring smooth communication between musicians and technicians. Unlike theater productions, concerts required me to focus on timing, pacing, and the subtleties of live performance.
Through repeated practice, I learned how to balance audio between different instruments, adapting to changing combinations of ensembles. I also refined my skills in live cue management, quick problem-solving under pressure, and maintaining professionalism in high-stakes environments where mistakes are immediately noticeable.
MAMMA MIA 2024